Beyond the Dust - Artists' Documents Today


 

 

A Dena Foundation for Contemporary Art project

in collaboration with De Vleeshal in Middelburg and the Fondation d’entreprise Ricard in Paris

curated by Francesca di Nardo in collaboration with Lorenzo Benedetti

Supported by the Settore Tempo Libero of the Municipality of Milan

 

 

 

De Kabinetten van de Vleeshal
La Fabbrica del Vapore
Fondation d’entreprise Ricard
     
Opening 17 September 2010, 4 pm
Opening 7 October 2010, 6.30 pm
Opening 10 January 2011, 6.30 pm
18 September - 12 December 2010
8 - 28 October 2010
11 - 29 January 2011
Zusterstraat 7, 4331 Middelburg (NL)
via Procaccini 4, 20154 Milan (I)
12 rue Boissy d'Anglas, 75008 Paris (F)
+31 (0)118 652200
+33 (0)1 44549867
+33 (0)1 53308800
office@vleeshal.nl
info@denafoundation.com
info@fondation-entreprise-ricard.com
www.vleeshal.nl
www.fabbricadelvapore.org
www.fondation-entreprise-ricard.com
   
 
Centre Culturel Français de Milan
 
     
 
Round table 12 October 2010, 6 pm
 
 
Corso Magenta 63, 20123 Milan (I)
 
 
+39 02 4859191
 
 
accueil@culturemilan.it
 
 
http://culturemilan.com
 


 

Beyond the Dust – Artists’ Documents Today is a cross-border European exhibition project presenting twelve emerging artists on the international scene. It will take place from September 2010 to January 2011 at the following institutions in the Netherlands, in Italy and in France: De Kabinetten van De Vleeshal in Middelburg, the Fabbrica del Vapore in Milan and the Fondation d’entreprise Ricard in Paris. For each venue there will be a different exhibition, in which the artists will address a specific aspect of an overall project on the authenticity or forgery of documents and archival material.

Beyond the Dust – Artists’ Documents Today provides the public with a theoretical hypothesis on the use and manipulation of forms, images and texts by artists. The objective is to highlight the formal implications of these actions and their philosophical, political and social content. The artists will not only reflect on the potential themes raised by the various components of the pieces, but will offer a broader reflection on contemporary ways of understanding memory and the notions of authenticity, fiction and forgery.

In the Roman and Middle-Age times, the archive was defined as the «locus de quo acta public asservantur, ut faciant fidem » (where the public documents are kept to guarantee the trust of the public). It is worth to stress the role of the word « fidem » - because it allows us to underline that one of the most fascinating and important sides of the archive concept is its link to the notion of historical truth. It raises questions on how the historical notion of archive resources is inextricably linked to those of plausibility, fiction, lie as demonstrated by Carlo Ginzburg in his essays.“ (Francesca di Nardo)


The Centre National des Arts Plastiques (CNAP) supports as “commande publique” the production of the catalogue designed by Roma Publications, as well as the exhibition’s archive: the artist’s book by Richard Sympson.